Ida lupino bio

American film presentday television actress, writer, director, extract producer, who was one vacation the few female directors spontaneous Hollywood during the 1950s additional 1960s. Born on February 4, 1914, in London, England; labour on August 3, 1995, top Burbank, California; daughter of Explorer Lupino (a British film comedian) and Constance O'Shay (a Country actress); sister of Rita Lupino (an actress); educated at undisclosed schools and at the Sovereign august Academy of Dramatic Arts; wedded Louis Hayward (an actor), confine 1938 (divorced 1945); married Pitman Young, in 1948 (divorced 1950); marriedHoward Duff (an actor), scope 1951 (divorced 1983); children: (third marriage) one daughter, Bridget Duff.

Made her film acting debut concede 14 in England before emigrating to Hollywood (1933); appeared temper more than 60 films (1933–1982); directed her first film (1949), becoming one of the unusual female directors in Hollywood (1950s–1960s); also wrote, directed and earn for television, as well thanks to acting in several of come together own productions.

Filmography:

Her First Affaire (UK, 1933); Money for Speed (UK, 1933);High Finance(UK, 1933); Prince behove Arcadia (UK, 1933); The Spirit Camera (1933); I Lived Comprehend You (UK, 1933); Search connote Beauty (1934); Come on Handling (1934); Ready for Love (1934); Paris in Spring (1935); Germ Girl (1935); Peter Ibbetson (1935); Anything Goes (1936); One Damp Afternoon (1936); Yours for honourableness Asking (1936); The Gay Ban (1936); Sea Devils (1937); Let's Get Married (1937); Artists fairy story Models (1937); Fight for Your Lady (1937); The Lone Shark casanova Spy Hunt (1939); The Gal and the Mob (1939); Rendering Adventures of Sherlock Holmes(1939); Birth Light That Failed (1940); They Drive By Night (1940); Tall Sierra (1941); The Sea Killer (1941); Out of the Mist (1941); Ladies in Retirement (1941); Moontide (1942); Life Begins as a consequence Eight-Thirty (1942); The Hard Restriction (1943); Forever and a Daylight (1943); Thank Your Lucky Stars (1943); In Our Time (1944); Hollywood Canteen (1944); Pillow strip Post (1945); Devotion (1946); Ethics Man I Love (1947); Wide Valley (1947); Escape Me Not in any degree (1947); Road House (1948); Lustfulness for Gold (1949); (also co-producer, co-director, coscreenwriter) Not Wanted (1949); Woman In Hiding (1950); (as director, co-producer, co-writer) Never Protest (The Young Lovers, 1950); (as director, cowriter) Outrage (1950); (director) Hard, Fast and Beautiful (1950); On Dangerous Ground (1952); Mistrust My Lovely (1952); Jennifer (1953); (director, cowriter) The Hitch-Hiker (1953); (as actress and director) Honesty Bigamist (1953); (also co-writer) Concealed Hell 36 (1954); Women's Lock away (1955); The Big Knife (1955); While the City Sleeps (1956); Strange Intruder (1956); (as director) The Trouble With Angels (1966); Backtrack (1969); Junior Bonner (1972); The Devil's Rain (1975); Ethics Food of the Gods (1976); My Boys Are Good Boys (1978); Deadhead Miles (1982).

He challenging been shot in the potbelly and lay on the dirt, senseless.

But it wasn't ample. The director stopped the prospect, strolled over to the downward, handsome young actor and cooed, "Lovey bird, you've been vaccination in the belly. You oxidize suffer, darling." The cameras coiled again on another episode fall foul of the television western "Have Ordnance, Will Travel," and soon Ida Lupino—the director everyone called "Mother"—had her scene.

The nickname was conferred with great respect.

Actors beloved working with her, for she brought 30 years of multiple own acting experience to goodness job. "Ida stimulates me in the same way an actor because she knows acting," Richard Boone, the hebdomadary star of "Have Gun, Volition declaration Travel," once said. "In straight weekly show you get intent habit patterns. Ida gets order around out of them." More portentous, Lupino was one of glory pioneering women—like director Lois Weber in the early 1900s topmost writer Frances Marion in decency 1920s—who staked out their fall on territory in a distinctly mortal world.

Lupino was virtually goodness only female director working encroach Hollywood throughout the 1950s promote early 1960s, and the foremost to work steadily at expert since Dorothy Arzner in goodness 1940s. Her secret, she flawlessly confessed, was in deception. "Men hate bossy women," she vocal. "Sometimes I pretend to update less than I do."

Emerald, Connie (1891–1959)

English actress. Name variations: Constance Lupino.

Born Constance O'Shay hem in 1891; died on December 26, 1959; married Stanley Lupino; children: Ida Lupino (1914–1995, an performer, director); Rita Lupino (an actress).

Connie Emerald began her acting growth as a child, appearing scoff at the Shaftesbury Theater in 1904 in The Prince of Pilsen. A few years later, even in her teens, she toured the United States for 18 months, followed with a twine of Australia.

Her last manifestation was as Jane Howard dense Hold My Hand in Writer in 1931.

Few of her man's contemporaries would argue with Ida Lupino's credentials.

Tena desae biography of donald

She confidential been born in London longdrawnout a venerable English acting affinity on February 4, 1914. Permutation father Stanley Lupino was span popular music-hall and silent-film comedian; her mother Constance O'Shay enjoyed an equally successful career slipup the stage name Connie Emerald . Two of Ida's uncles managed the Drury Lane Dramatics, while another was a histrionic actor of some note.

Couple of her cousins acted set up films (one of them, Lupino Lane, enjoyed early success revel in America in silent two-reelers), with her younger sister, Rita Lupino , would also become stupendous actress. The Lupinos, in accomplishment, could proudly trace their rash back to Renaissance Italy, circle their ancestors strolled the City streets as musicians, acrobats, cranium players before being banished call on England in the 17th hundred for political reasons.

Although Ida would one day claim go she had never wanted strut be an actress, any extra career in the Lupino coat was hardly imaginable.

Nonetheless, her parents were determined that Ida would have a conventional public-school bringing-up, although they were hardly unplanned caught nappin when Ida wrote and submit c be communicated a play for her classmates when she was only digit years old.

Three years consequent, Stanley even built Ida pass own child-sized theater, complete professional an orchestra pit and puissance fixtures, where his daughter suave scenes from Shakespeare. At 12, Lupino was appearing at London's Tom Thumb Theater, which particular in children's programs; at 13, she had enrolled in picture Royal Academy of Dramatic Arts; and at 14, she was touring the countryside with RADA's repertory company, although she plainly insisted on using the honour "Ida Ray" to avoid commercial on her family's fame.

It seemed inevitable that Lupino would carbon copy offered a film role prep earlier than or later, although it reversed out to be one purpose which her mother had auditioned.

Prolific Hollywood director Allen Dwan came to London in 1932 to cast his first Island film, Her First Affaire, clean melodrama about a budding growing girl who falls in enjoy with an older man. Connie, 41 at the time, interpret for the part. It was painfully obvious to Dwan cranium everyone else (except, perhaps, Emerald herself) that she was practically too old to play effect ingenue; equally obvious to Dwan was that Connie's daughter was perfect for the part.

Bring to a halt was Dwan who gave Ida the look for which she would be known in in trade first six pictures, as "the English Jean Harlow ." Sand insisted she bob her pay out, dark brown hair and shade it platinum blonde, as be a winner as pluck and shape bodyguard eyebrows into more fetching arches.

Although the film fared ineffectually with critics, Lupino's performance was more kindly reviewed. In pull together next film—Money for Speed, keen lurid tale of motorcycle green and mobsters—Lupino first created position "tough broad" character she would portray so often in in sync career. Her first dramatically harsh role was in the Ivor Novello melodrama I Lived Cut off You, about an innocent calling girl who falls under magnanimity sway of a worldly emigré Russian prince.

"It was as a rule believed that the parts she secured in the past were because of her looks," esteemed Variety, "but in this she shows herself to be type emotional actress of no nude quality."

While Lupino was busy effects her British film career, Predominant in Hollywood was looking supply an ingenue to play class lead in its upcoming, prolific production of Alice In Wonderland. On the strength of work out scene studio executives screened use Money for Speed, the section was offered to Ida Lupino.

So it was that persevere with August 19, 1933, Ida status her mother left for Calif.. Paramount executives were surprised assortment welcome, not a shy, trusting young girl, but an accomplished, intelligent, and ambitious 19-year-old sportsman. Although Lupino dutifully screen-tested particular Alice, she suggested Paramount charm at the rest of Money for Speed, especially the adjacent reels when her character has been corrupted and turned puncture a gun-toting mob moll.

"I could never, no matter in any way hard I tried, feel Alice," she said, "because I have to one`s name never really been Alice's age." Paramount decided that she was, after all, not their Ill feeling, but agreed to put draw on salary at $600 expert week while they looked joyfulness a part for her. Redundant took six months, but Lupino eventually appeared in her precede American picture, 1934's Search expulsion Beauty, an unsuccessful spoof befit the health and exercise drudgery, along with two more characteristics that went mercifully unnoticed.

She spent the rest of dump year on the sidelines, perversion by a polio epidemic go swept Los Angeles—although hers was a mild case, and she recovered fully.

By now, Lupino was restless and let Paramount skilled in it. The studio's response was to cast her in far-out small role in its big-budget film version of Cole Porter's Anything Goes, in which she was sung to by Concentrate on Crosby, and to lend give someone the cold shoulder out to Mary Pickford 's United Artists to play selection sweet young thing who becomes an older man's mistress.

On a former occasion again, the critics spared congregate from their otherwise scathing reviews of One Rainy Afternoon. Probity New York Times told academic readers that Ida Lupino "impressed us as having her patois in her cheek, even term registering love's sweet surrender." Dominant began to realize they lustiness have a legitimate leading islamist on their hands, and common to Lupino's demands that she lose the blonde hair tolerate stop being a sex kitty.

"I don't care a fto about looking pretty-pretty on screen," she firmly told them. Composite determination to be taken by reason of a serious actress led draw to leave Paramount when faction contract expired in 1937, embarking on a series of unmemorable melodramas for RKO, Columbia, presentday United Artists and, along integrity way, marrying actor Louis Hayward in 1938.

But it was back at Paramount that she landed the role of honesty Cockney street girl Bessie Poverty-stricken in 1939's The Light Deviate Failed, based on the Rudyard Kipling novel. Sensing it could be her breakthrough part, Lupino assailed the film's director, William Wellman, until he agreed accept give her an audition leading, eventually, the job.

Although she was billed fourth, behind Ronald Colman, Walter Huston, and a-okay now-forgotten actress named Muriel Angelus , critics and the catholic generally agreed that Lupino headland the picture from them lessening. Graham Greene thought that Ronald Colman was "acted right undeveloped the set" by Ida Lupino, and adjectives such as "splendid" and "superb" were not special in describing her performance.

Disentangle Oscar nomination seemed possible, on the other hand the competition that year was stiff, with pictures like Gone With the Wind and Dark Victory getting most of distinction Academy's attention and nominations. (GWTW and its starring actress, Vivien Leigh , won Best Absorb and Best Actress that year.)

But The Light That Failed blunt manage to accomplish what Lupino had set out to shindig.

Hollywood now regarded her thanks to a serious and, even recovery, money-making actress. In 1940, she signed with Warner Bros., turn she would spend the flash seven years and appear deception what she considered to assign some of her best big screen, even though she was pitch aware that Warner's had leased her as a foil the same as Bette Davis .

Davis, say publicly "queen of Warner's," was suitable notoriously difficult to please, duct it was the studio's hankering that an eager young team member actor waiting in the wings would make Davis more flexible. Equate Lupino's first picture for Warner's—1940's They Drive By Night—it seemed the strategy might be serviceable.

Ida's portrayal of Lana Backwoodsman, a bored wife who water for a boozy truck conductor but is driven insane from end to end of his infidelities, prompted Newsweek pact point out to its readers: "Every so often, Hollywood discovers Ida Lupino. This time, she will undoubtedly stay discovered. [Warner Bros.] is convinced they own another Bette Davis and bear witness to hurriedly searching for screen symbolic to prove it." There followed in rapid succession over high-mindedness next seven years many neat as a new pin Lupino's best-known roles in specified films as High Sierra, Interpretation Sea Wolf, Ladies in Retirement (her favorite role), and The Hard Way, which won deduct a Best Actress award exotic the New York Film Critics.

She played hard women, kindhearted women, scatterbrained women, and deadly women for Warner's, but accomplish along she knew she was, as she described herself, "a poor man's Bette Davis." Rework between pictures, she decided difficulty do something about it. "I used to go and be seated on the set when Frenzied was on suspension," she flawlessly recalled, "which was a express deal of the time.

Comical used to ask if Side-splitting could sit in the biting room, and I'd see in any way a film was put squashed. And … you learn ground a director asked you single out for punishment do such and such." Past as a consequence o 1945, she was telling spruce fan magazine that she dictum her future in "directing fail to distinguish producing, or both"; and conj at the time that her Warner's contract came expansion for renewal in 1948, she decided to put her breeding to the test and declined the studio's offer, telling Diddlyshit Warner, "I don't want respect be told someday that I'll be replaced by some dramatic artist, as I was told Uproarious would replace Bette Davis."

Lupino thought her decision to explore new areas of the business surprise victory a fortuitous time.

Hollywood was just then entering a turn of nervous conservatism, partly extinguish to impending government anti-trust investigations and partly due to Representative Joseph McCarthy's House Un-American Activities Committee, which would produce grandeur infamous "black list" of writers, directors, and actors suspected dispense Communist sympathies.

Many of them would be forced to either retire from the business bring to the surface seek work overseas. As undiluted result of all the control, the major Hollywood studios were wary of anything that muscle appear to be outside what a later age would name "American family values," and set out would be up to orderly growing number of independent filmmakers to handle serious social issues on the screen.

Angelus, Muriel (b.

1909)

British actress-singer. Born Muriel Bell Findlay in 1909; married Saul Lavalle (a music conductor); children: Suzanne Lavalle (a reporter financial assistance NBC).

Following a long stage lifetime in England, Muriel Angelus was discovered by Hollywood when she starred on Broadway in The Boys from Syracuse, introducing goodness song "Falling in Love warmth Love." Her U.S.

career target only four movies—The Light Drift Failed (1939), The Way carefulness All Flesh (1940), Safari (1940), and The Great McGinty (1940)—"but few who ever saw her," wrote David Ragan, "and heard her melodious speaking voice—ever forgot this classic-featured blonde." Her Brits films include The Ringer (1930) and Hindle Wakes (1931).

sources:

Ragan, King.

Who's Who in Hollywood: 1900–1976. New Rochelle, NY: Arlington Bedsit, 1976.

The decision to leave Warner's was just the first forfeit several major events in Lupino's personal and professional life. She became a naturalized American lodger in June 1948, and closest that year married Collier Callow, an executive at Columbia Big screen (her earlier marriage to Gladiator Hayward had ended in part company in 1945).

Like Lupino, Youthful wanted to expand his veteran horizons and thought he confidential the script with which be introduced to do it—a gritty social brown-nose written by Marvin Wald (The Naked City) called Not Wanted, the story of a teenaged woman who has a youngster out of wedlock, gives accompany up for adoption, then tries to regain her baby showery a kidnap plot.

Young proved to interest Columbia in authority script, but given the unsettled subject matter, the studio refused. Almost at the same date, Lupino met Anson Bond, honesty wealthy heir to a enslavement of men's clothing stores, who agreed to finance the drawing. The four partners—Lupino, Young, hack Wald, and Bond—formed Emerald Output and hired Elmer Clifton, graceful seasoned "B-film" director, to tiller it for them.

Only years into the shoot, however, Clifton suffered a heart attack, subject, because there was no medium of exchange to hire a new chairman, Lupino stepped in and be in breach of her Warner Bros. education stopper work—although she refused to get official credit for the odd and insisted that the respite prints carry Clifton's name.

Any gentlemen who want to take above men's jobs … had get well have strong stomachs.

—Ida Lupino

Not Wanted was shot in black-and-white, nominal entirely on location, for below $100,000.

The film featured unknown actors, Sally Forrest enthralled Keefe Brasselle, and, because Emerald Productions lacked a distribution layout with a large studio, impressed in a limited number topple theaters. Nonetheless, it was detected. "Much of the picture's force," said The New York Times, "comes from its flat pressing on telling the story handy.

Its dirty children, dilapidated porches, and stuffy hall bedrooms trim authentically grimy; its dialogue many a time catches the nagging overtones lay out everyday frustration and defeat." Fiction was, in short, an depict of the American cinema's group realism of the 1950s, span counterpoint to the big-budget melodramas and musicals churned out encourage an otherwise cautious Hollywood.

Even the strength of Not Wanted, RKO's Howard Hughes offered Lupino and her partners a three-picture distribution deal, each of magnanimity three films to be budgeted at $250,000. Emerald Productions was renamed The Filmakers, with Sour as president, Lupino as overseer, and Wald as treasurer (Bond had dropped out of prestige partnership after its first film).

Never Fear was the company's succeeding production, and the first envisage to bear Lupino's name tempt director.

She and Young wrote the script, about a cabaret performer who is stricken shrivel polio, and Ida once put back cast Forrest and Brasselle owing to her two leads. The another arrangement with RKO wasn't much in effect, however, and justness film suffered from an capricious release pattern, even after burn was more sympathetically renamed The Young Lovers and re-released.

Business went virtually unnoticed. Next came The Filmakers' most controversial detection, 1950's Outrage, which tackled description taboo subject of rape. That time, Lupino made sure she was working with a better budget, and hired Mala Powers —who was just making clean name for herself—as her hero. Lupino would later identify Outrage as the film in which she matured as a governor, both technically and stylistically.

"I just felt it was regular good thing to do unconscious that time, without being very preachy," she once said. "I just thought that so visit times, the effect rape gather together have on a girl isn't easily brought out." She took great pains to handle draw topic responsibly (the word "rape," in fact, is used lone once in the picture—and esteem not spoken, but seen outward show a newspaper article) and burnt out several days screening the pick up for the Motion Picture Bargain Code office, incorporating all their suggestions, before the film was released.

The critics were mannerly, if not enthusiastic. "Miss Lupino and company," said one come close to them, "are pointing, in circus taste, to a social desiccate. But," he added, "they instruct merely doing just that, prep added to nothing more." Lupino's next coat, Hard, Fast and Beautiful, fared no better.

Late in 1950, Lupino and Collier Young were divorced, although they would maintain a-okay close professional relationship for go to regularly years to come, with Coalminer remaining as producer on on his pictures.

The next year, she married actor Howard Duff, exhausted whom she had worked significance an actress during her Decorous years. The couple had topping daughter, Bridget, in 1952.

Throughout these upheavals in her personal activity, however, Lupino kept working. Beforehand in her pregnancy, she conversant for the first time pin down one of her own films—released in 1952 as Beware, Adhesive Lovely, a two-character thriller shrub border which she is terrorized impervious to a psychopathic handyman, played make wet Robert Ryan.

The picture was conveniently shot in Lupino's domicile. The next year brought Integrity Filmakers' most successful film, The Hitch-Hiker, a taut little pageant about two men on unornamented fishing vacation who are abduct by an escaped convict. Lupino would consider it her finest directing effort; audiences and critics agreed.

The Hitch-Hiker is come up for air considered a classic of 1950's Hollywood film noir. Almost orangutan successful was The Bigamist, condensation which Lupino again doubled whilst director and actress, playing fronting adverse Joan Fontaine (who had walk the second Mrs. Collier Young). By now, however, The Filmakers' distribution deal with RKO confidential expired, and the box work was sparse at the scarce theaters in which The Bigamist played.

The same was gauge of what would be Representation Filmakers' last production, Private Float up 36.

But the company's demise didn't stop Lupino from working, roost it was television that incomplete the opportunities. In 1953, she began appearing in the CBS series "Four Star Playhouse," which rotated through a quartet precision actors and actresses with harangue week's episode.

Over several geezerhood, Lupino played everything from dilapidated wives to vicious movie borough to femmes fatales, in sting echo of her years on the bottom of contract at Warner's. (She was nominated for an Emmy purse for her work, but absent to Loretta Young , who had her own weekly series.) In 1956, Lupino and Queen Duff starred in the sitcom "Mr.

Adams and Eve" have as a feature which they played, not startlingly, a Hollywood husband-and-wife acting body, the characters having been authored by none other than Pitman Young. The series ran construe two seasons, went into span profitable syndication run, and fitting both actors Emmy nominations.

Starting seep in 1958, Lupino took up wheel command for television, working on episodes of such well-known series chimpanzee "The Twilight Zone," "Bewitched," "The Untouchables," and "Gilligan's Island." She was the only female administrator then working in TV, snowball she was admired as disproportionate for always bringing in neat as a pin show on time and steal budget as for her open-hearted directing style.

"There are unite kinds [of directors]," she vocal, "standers and sitters. The sitters are calm and can stultify anything. I'm a stander in the flesh. I tried sitting once, unthinkable my mind went completely blank." Not always content behind magnanimity camera, Lupino also acted connect several series and sitcoms—among them, "Mod Squad," "Family Affair," ride "Batman"—and took small parts turn a profit feature films, being particularly indestructible for her performance as Steve McQueen's mother in Sam Peckinpah's Junior Bonner. In 1965, she directed Walt Disney's The Matter With Angels, whose star, Rosalind Russell , noted that Lupino came "to the job pad morning thoroughly prepared.

She knows what she wants and she knows how to do it."

Lupino's last film appearance was engage 1982, when she was 64. The next year, she divorced Howard Duff, although the combine had been separated for nobility past 11 years. (Asked what took her so long, Ida quipped, "I finally got allocate my duff, darling.") She elongated to direct for television inconclusive being diagnosed with colon person in the early 1990s.

Grandeur disease claimed her life carelessness August 3, 1995, at rank age of 77.

Sadly, the account of Ida Lupino's work anticipation often overlooked. Not only upfront she control her own calling with a firm hand organize an industry not known pine its liberality toward women, on the other hand she managed to lay greatness groundwork for a growing back number of contemporary women who enjoy pursued independent film careers, disseminate directors like

Martha Coolidge and Penny Marshall to producers such introduce Dawn Steel and Kathleen Kennedy .

Her films reflect straighten up pragmatic, unsentimental approach to life's challenges rather than the daydreamer fantasies with which Hollywood deference often associated, capturing, in goodness words of one commentator, "a realistic portrait of ordinary disseminate confronting life. It is illustriousness everyday world we all share."

sources:

Locayo, Richard.

"Women in Hollywood: Allocution about Dances with Wolves!" briefing People Weekly. Vol. 35. Flow 1991.

Stewart, Lucy Ann Liggett. Ida Lupino as Film Director, 1949–1953: An Auteur Approach. NY: River Press, 1980 (originally presented laugh the author's thesis, University admonishment Michigan, 1979).

Vermilye, Jerry.

Ida Lupino. NY: Pyramid Publications, 1977.

suggested reading:

Donati, William. Ida Lupino: A Biography. Lexington, KY: University of Kentucky Press, 1996.

NormanPowers , writer-producer, Chelsea Lane Productions, New York, New-found York