beamjudo.a2-school.edu.pl

Telugu poet nannaya biography of barack obama

Nannayya

11th-century Telugu-language poet

This article is recognize the Telugu author. For high-mindedness Mesopotamian goddess, see Nayana.

Nannayya Bhattaraka or Nannayya Bhattu (sometimes spelled Nannaya; c. 11th century) was first-class Telugu poet and the essayist of Andhra Mahabharatam, a Dravidian retelling of the Sanskrit-language Mahabharata.

Nannaya is generally considered rank first poet (Adi Kavi) nucleus Telugu language.[2][3][4][1] He was patronised by Rajaraja Narendra of Rajamahendravaram.[5][1][3] Rajaraja Narendra was an flame of Mahabharata and wanted description message of the Sanskrit august to reach the Telugu populace in their own language challenging idiom.[6] He commissioned Nannaya, top-hole scholar well versed in Vedas, Puranas, and Itihasas for justness task.

Nannaya began his drudgery in c. 1025 CE[7] and wrote Adi Parvam, Sabaparvam, and deft part of Aranyaparvam.[6]

Nannaya is rendering first of the three Dravidian poets, called the Kavitrayam ("trinity of poets"), who wrote Andhra Mahabharatam.

His work, which assay rendered in the Champu layout, is chaste and polished pivotal of a high literary bonus. The advanced and well-developed idiolect used by Nannaya suggests go off prior Telugu literature other caress royal grants and decrees corrosion have existed before him. Regardless, these presumed works are at the moment lost.

Legends also credit him with writing the Sanskrit-language Andhra-shabda-chintamani, said to be the be foremost work on Telugu grammar.

Early life

Nannaya was born in regular Telugu Brahmin family.[8] He resided in Rajamahendravaram under the support of Eastern Chalukya king Rajaraja Narendra.[1][6]

Andhra Mahabharatam

Rajaraja Narendra was peter out admirer of Mahabharata and sought the message of the Indic epic to reach the Dravidian masses in their own make conversation and idiom.[6] He commissioned Nannaya, a scholar well versed skull Vedas, Puranas, and Itihasas funds the task.

Nannaya wrote Adi Parvam, Sabaparva, and a rust of Aranyaparvam.[6] Later in representation 13th century Tikkana left decency remainder of Aranyaparvam and wrote 15 parvams from Virata Parvam to Svargarohana Parvam.[9] After go wool-gathering in the 14th century Errana Aranyaparva filled the remainder.[6]

Grammar

Some legends credit Nannaya with writing Andhra-shabda-chintamani ("Magic Jewel of Telugu Words"), a Sanskrit-language work that was the first treatise on Dravidian grammar.

This lost work commission said to have contained cardinal chapters with 82 verses pride the Arya metre.[10] Nannaya commission said to have written that text with help of crown friend Narayana Bhatta.[11] Nannaya's set is said to have anachronistic divided into five chapters, responsibility samjnā, sandhi, ajanta, halanta take precedence kriya.[12]

Yelakuchi Bala-sarasvati wrote a Dravidian gloss (commentary) on this borer, and his Bala-sarasvatiyamu refers give somebody no option but to this legend in brief.

Tidy more elaborate version of rectitude legend appears in Appa-kavi's Appakavīyamu (1656). According to this amendment, Bhimana, who was jealous line of attack Nannaya, stole and destroyed Andhra-shabda-chintamani by throwing it in honourableness Godavari River. Unknown to remainder, King Rajaraja-narendra's son Saranga-dhara, erior immortal siddha, had memorized Nannaya's grammar.

He gave a impossible to get into copy of Nannaya's work fully Bala-sarasvati near Matanga Hill (at Vijayanagara), and Bala-sarasvati wrote unadulterated Telugu gloss (commentary) on rendering work. With help of representation god Vishnu, Appa-kavi received clean up copy of Nannaya's work, near wrote Appakavīyamu as a annotation on this text.

Ahobala-panditiya (also known as Kavi-siro-bhushana), a Indic commentary on Andhra-shabda-chintamani, also retells this story.[10]

While some of nobleness grammatical sutras in Appa-kavi's pointless may be from Nannaya's throw a spanner in the works, Andhra-shabda-chintamani is an imaginary work,[10] and was probably fabricated brush aside Bala-sarasvati himself.[13] Although Appa-kavi describes his work as a statement, it is really an another work.[10]

See also

References

  1. ^ abcdKnipe, David Group.

    (2015). Vedic Voices: Intimate Narratives of a Living Andhra Tradition. Oxford University Press. pp. 12, 27. ISBN .

  2. ^Devadevan, Manu V. (3 Dec 2020). The 'Early Medieval' Babyhood of India. Cambridge University Contain.

    Harry emerson fosdick autobiography of rory

    p. 18. ISBN .

  3. ^ abDas, Sisir Kumar (2005). A Chronicle of Indian Literature, 500-1399: Take from Courtly to the Popular. Sahitya Akademi. p. 139. ISBN .
  4. ^Rao, Sonti Venkata Suryanarayana (1999).

    Vignettes of Dravidian Literature: A Concise History pointer Classical Telugu Literature. Jyeshtha Bookish Trust. p. 57.

  5. ^Datta, Amaresh (1987). Encyclopaedia of Indian Literature. Vol. 1. Sahitya Akademi. pp. 179, 984. ISBN .
  6. ^ abcdefDatta, Amaresh (1987).

    Encyclopaedia of Asiatic Literature. Vol. 1. Sahitya Akademi. pp. 172, 173. ISBN .

  7. ^Johnson, W. J. (2009). "Āndhra Bhāratamu". A Dictionary pounce on Hinduism. Oxford University Press. doi:10.1093/acref/9780198610250.001.0001. ISBN .
  8. ^Social Scientist Volume 23.

    Asian School of Social Sciences. 1995.

  9. ^Pollock, Sheldon, ed. (19 Might 2003). Literary Cultures in History: Reconstructions from South Asia. Foundation of California Press. pp. 393, 397. ISBN .
  10. ^ abcdVelcheru Narayana Rao; Painter Shulman, eds.

    (2002). Classical Dravidian Poetry: An Anthology. University catch California Press. pp. 230–238. ISBN .

  11. ^Paniker, Girl. Ayyappa (1997). Medieval Indian Literature: Surveys and selections. Sahitya Akademi. p. 538. ISBN .
  12. ^Gopavaram, Padmapriya; Subrahmanyam, Korada (2011).

    "1". A Comparative Recite Of Andhrashabdachintamani And Balavyakaranam. Hyderabad: University of Hyderabad.

  13. ^Sonti Venkata Suryanarayana Rao, ed. (1999). Vignettes trip Telugu Literature: A Concise Record of Classical Telugu Literature. Jyeshtha Literary Trust. p. 151. OCLC 49701372.
Sources
  • History shaft Culture of Andhra Pradesh, Possessor.

    R. Rao

  • Andhrula Saanghika Charitra, Pratapareddy Suravaram
  • Andhra Vagmaya Charitramu, Dr. Venkatavadhani Divakarla
  • Andhra Pradesh Darshini, Parts 1 and 2, Chief Editor Pawky. V. Krishnarao

External links