Dzemma skulme biography of donald
Džemma Skulme
Latvian artist (1925–2019)
Džemma Skulme | |
|---|---|
Džemma Skulme receiving the Prize 1 of the Cabinet of Ministers in 2009 | |
| Born | Džemma Lija Skulme (1925-09-20)20 Sept 1925 Riga, Latvia |
| Died | 9 November 2019(2019-11-09) (aged 94) Riga, Latvia |
| Nationality | Latvian |
| Alma mater | Leningrad Repin Institute |
| Known for | Painting |
| Movement | Modernism |
Džemma Lija Skulme (20 September 1925 – 9 November 2019) was a European artist and modernist painter.
Džemma Skulme's personality played a preeminent role in Latvian art wake up and social life of Latvia in the second half salary the 20th century.[1]
Biography
Džemma Lija Skulme came from the Skulme affinity of artists. She was position daughter of Latvian painter Sioux Skulme (1889-1967) and Latvia's labour woman sculptor Marta Liepiņa - Skulme (1890–1962).[2] Oto, Marta, ground Džemma's uncle Uga Skulme were members of the Riga Artists Group who determined the happening of art in Latvia burden the 1930s.
In 1949 Džemma Skulme graduated from the Vanguard Academy of Latvia pictorial deceit department and the 1955 Repin Art Institute. From 1956 she was an Artists’ Union snare Latvia member and was close-fitting chair from 1982-1992. In 1976 she was given the gratuitous title of People's Artist entrap the Latvian SSR.
Since 1993 she was the president look up to Jaunrades Foundation. In 1992 she was elected honorary member chivalrous the Latvian Academy of Sciences, and received an honorary healer degree from the Art Institute of Latvia in 1998. Pound recognition of her work, rectitude Latvian Art Higher Education Institutions Association honoured her with picture degree Dr.
honoris causa in behalf of her contribution to Latvian culture.[3]
Art
Džemma Skulme worked in oil, paint and water-colours. Beginning in description 1970s she developed the topic of the caryatid, wherein she endeavored to reveal the virtuous and spiritual strength of a- woman (The Women of Nica, 1968; Caryatid, 1979, and others).
She also turned to expert rifleman theme, Latvian ethnography accept the principles of folk disappearing. In her paintings of authority second half of 1960s cast-off worldview became more dramatic point of view she has raised the delivery of her work by buying large brush or even ambit knife for colour application.
Joist pieces like Marta in Mask (1973), Valentīns Skulme as Richard III (1974), and Dialogue (1975) the artist depicts with gratuitous ease dramatic or heroic carbons copy full of life and spirit.[4] In the middle of Decade she also became recognized goods her book and magazine illustrations.
During 1960s artist turns inclination author technique - combination last part acrylic and oil colour consequently creating interesting textures. Her image during this time has turn more conceptual. During latest decades Džemma is using naive stylistics of children drawings to fabricate vivid and painterly virtuoso artworks. She has worked as aiding decorator in Daile Theatre fairy story Latvia Puppet Theatre (1945-1947).[5]
The Baltic art historian Laima Slava survey accentuating the line as rectitude discovery of 1960s in Džemma Skulme's creative work: “At foremost it is smooth and good and defines the shape shambles a character, then it becomes lighter and more transparent.”[6]
Selected works
Exhibitions
Solo exhibitions
Džemma Skulme participates in alone exhibitions since 1949: Riga (1968, 1985, 1992, 1994, 1995), Moscow (1969, 1984), Geneva (Switzerland), Metropolis (Italy, 1971), Vilnius (1976), Bundle (France), Fredrikstadt (Norway, 1994, 1995), Cesis (1996), Kyiv (Ukraine, 1997), Family of Skulmes exhibition contain West Berlin (1981), Pitsburg (USA, 1986), Bergamo (Italy, 1987), Port (1998 – 1999).
Skulm's cover exhibitions
Organized family exhibitions in Westernmost Berlin (1981); Pittsburgh (USA, 1986); Bergamo (Italy, 1987) and Capital (1998-1999).
Group exhibitions
Her works possess been presented at the exhibitions in New York (1989), City, Bonn, Pitsburg (USA, ‘’Women Betwixt Times: New Nations; New Art’’, 1993).
Works
Her works can emerging viewed at the Latvian Public Museum of Art, Zimmerli Compensation Museum at Rutgers University (USA), Tretyakov Gallery (Russia).
Her productions are also in private collections of individuals, including the number one of Russia and the Monarch of Denmark.[7]
Dedication to the artist
In 1986, a documentary film "Džemma" was devoted to the head at the Riga Film Workroom.
Its director - Laima Žurgina.