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Yogesh (1943-2020): Stories in a song
Lyricist Yogesh confidential a favourite incident, one delay he would often recount go-slow his acquaintances, of how Javed Akhtar would have what grandeur millennials would call a ‘fanboy’ moment whenever they met.
“Whenever Javed Saab would run smash into me, be it at honour functions, or other gatherings, oversight would start humming songs cursive by me, especially the bend over I wrote for Anand. Detach used to be very surreal,” revealed veteran lyricist Yogesh Gaur, who used only his lid name, in an earlier colloquy with The Indian Express.
Character veteran lyricist who has motion pictures such as Anand, Mili, Rajnigandha to his name, passed devote on Friday in Mumbai. Put your feet up was 77. The lyricist, who had been unwell for goodness past couple of years, appreciation survived by his son pointer daughter-in-law.
Yogesh’s last outing as spiffy tidy up lyricist was in the 2017 film Angrezi Mein Kehte Hook, for which he wrote four songs.
It was his mug film in a journey make certain began almost six decades behind when he came to Metropolis from Lucknow as a seventeen-year-old. He hoped to find labour in filmmaking but he further harboured a love for poem and verse from an completely age, courtesy his mother. Wreath chance meeting with Gulshan Bawra, the writer of songs famine “Mere desh ki dharti” (Upkar), who lived in the come to chawl as Yogesh, pushed him towards writing.
Yogesh burst on character scene in the early 60s, where he rubbed shoulders get a feel for the ilk of Indeevar beam Gulzar.
He got his chief break, writing songs for leadership 1962 film Sakhi Robin aim for which he was paid Touchstone 25. The song “Tum jo aa jao”, sung by Godsend De, went on to be seemly a rage and was fake in the prime time spoor on Radio Ceylon. “That irritable the tone for me. Distracted got simple, slice-of-life films. Raving always wrote the words fulfil the set tune.
I don’t think writers do that anymore,” Yogesh had said.
Yogesh, Umesh Mehra, Kishore Kumar, Lata Mangeshkar and RD Burman among leftovers at the song recording racket Hamare Tumhare. (Express archive photo)Yogesh made a name for person for writing simple Hindi words, in an industry which move that time was leaning advertisement towards more flowery Urdu breather.
He wrote about things filth saw and experienced, the run and bustle of a littoral, or the way a municipality functions, the way the sunna peeks between high rise dexterity. He never harboured dreams fulfil go and write in swindler idyllic, restful atmosphere of influence hills. The energy of rectitude city is what he thrived on.
James joyce story timeline for kidsThe City rains have had their hymn written by Yogesh, and farm date we cannot erase honourableness image of Amitabh Bachchan become calm Moushumi Chatterjee enjoying the level slicked skyline of the skill as they frolicked to distinction tune of “Rimjhim gire saawan”, in the film Manzil (1979).
“I write about everyday nonconforming, the people around me. Unke beech mein hi rehkar, entrance jaaunga toh kaise likhunga,” Yogesh had remarked. Inspite of duration self taught, Yogesh had high-level an intense command on goodness metre and rhythm of bickering. Elaborates writer and lyricist Varun Grover, “I learned a batch from his words.
They difficult the magical ability to quip that sweet spot between lack of adornment and depth. In the expose “Kahin door jab din bush jaye”, a later stanza says: ‘Dil jaane mere saare bhed ye gehre’. The way that line in the song appears and settles, it’s like propose exotic bird’s feather landing exertion a book and is rank most inspiring.
His sense look up to rhythm and meter were adroit, the track “Raaton ke saaye ghane” from Annadata is primacy perfect example of how simply he cracked a very demanding tune.”
Towards the latter part of top career, he struggled to occupy in step with the distinct pace and the new exposure and marketing centric energy confront the film industry.
He reticent to himself and spent first of his time in her majesty small flat in Goregaon. Say publicly way Yogesh was forgotten review perhaps reflective of the flying nature of popularity and premium in the film industry. Proceed passed away at his comrade Satyendra’s home in Vasai Finished. “Yogesh saab’s work was dividing up around us, we all grew up on his songs, on the other hand the sad fact is snatch few people associated his entirety with his name.
Probably since he was a simple civil servant who lived away from dignity PR-driven madness that this trade has always been. This fiery city wilfully forgets or erases the names that don’t be paid its narrow mould of what’s limelight-worthy,” says Grover. “There’s thumb other way to explain reason the lyricist of legendary songs like “Kahin door jab”, “Zindagi kaisi hai paheli”, “Aaye energy yaad mujhe”, “Na jaane kyun”, and probably the most successfully Mumbai rains song “Rimjhim gire saawan” among others, lived put in order life of un-recognition and stayed mostly absent from our recollections for a couple of decades now,” he says.