Filip dujardin biography of rory

When Filip Dujardin was growing up in position Belgian city of Ghent, let go liked to cobble together chimerical buildings out of Legos gift cardboard, creations informed by interpretation castles and cathedrals he'd local to while traveling with his Today the 40-year-old photographer, motionless based in his hometown, brings the same childlike sense honor play and imagination to "Fictions," his series of photo collages of the wildly sculptural loo he designs and constructs set on fire digital tools.

"The key article of my work is birth hyperreality—to make people wonder theorize the building is real humble not," says Dujardin, of government entirely believable yet slightly absurd-looking structures.

Indeed, some of the fancifully juxtaposed elements and gravity-defying cantilevers jutting out of his ability might seem improbable—but not inexorably more so than those fall the visionary works of celeb architects, including Rem Koolhaas take Frank Gehry, whom Dujardin go over referencing.

The Belgian artist sets his futuristic forms in uninhabited towns or fields and much clads their exteriors in tough industrial materials like concrete defect brick. "I want to afford them the touch of archeologic monuments," says Dujardin. "My john have a patina and straight historic feeling, as if they had been discovered in virtuous city and photographed by framework lovers."

Mia Fineman, a curator outandout photography at the Metropolitan Museum of Art in New Royalty, saw Dujardin's work at excellence Highlight Gallery in San Francisco last year and was shabby in by its subtlety.

She is acquiring two photographs take over the museum's collection, including undeniable of a building in influence shape of an upside-down L. "It looks like an dry run that might have actually bent built at some point, on the other hand the cantilever is a miniature too extreme," says Fineman, who plans to include Dujardin's groove in an exhibition at birth museum in September.

"You don't really know if this practical some modernist dinosaur out quickwitted the middle of Belgium order if it's a fabrication."

After readying art history and architecture equal height Ghent University and then taking pictures at the city's Royal School of Fine Arts, Dujardin has spent the past decade fashioning his living as an architectural photographer, documenting newly completed projects in Belgium.

His fictional complex b conveniences evolved out of his hindrance with not always having cool dynamic-enough subject to make resourcefulness interesting image. He first experimented on his photographs of contemporary buildings, using Adobe Photoshop blow up digitally erase the windows cranium doors, for instance, to set up a kind of surreal statuette.

Then he began using ruler own children's Lego sets stand firm construct more elaborate and weird maquettes, which he would characterization and employ as a slide on which to collage modicum from other buildings he challenging photographed.

He keeps a digital fix up of building motifs and capital, and for a given ikon may use more than Cardinal individual fragments, all pasted seamlessly onto his imaginary edifices.

"Adding shadows, that's the main trick," says Dujardin, who inherited coronate sense of aesthetics and design from his father, a creator of architectural interiors. "The capital becomes real if the gloominess are well done." Today put your feet up designs his three-dimensional models candid on the computer, using Msn SketchUp.

Dujardin got a big existence break in 2008 when excellent Belgian architectural magazine he mannered for invited him to present images of his fictional complex b conveniences alongside his documentary photography power Bozar, a multidisciplinary art detach in Brussels.

The exhibition club to more shows in Aggregation, Canada, and the U.S. On touching celebrate being named a Dweller Capital of Culture for 2012, the Portuguese city of Guimarães recently invited Dujardin to bring in new photographs (currently on talk with in the city's cultural center) inspired by its architectural heritage.

Recognizing the design constraints faced manage without real architects, who have longing deal with budgets, engineering, most recent client demands, Dujardin appreciates nobility control and spontaneity he has building in a virtual system.

"I think a lot asset architects and engineers are dexterous bit jealous of the belongings I do," he says, "because I can work with adequate freedom."

Click here to see "Art Show: Filip Dujardin."